PilotBlackSmith wrote: ↑Fri Mar 13, 2020 4:40 pm
I really dont like Vriska, specially after act 6.
Honestly so much of what you mention here has been living in my brain Absolutely Rent Free for like, Months.
Like, Vriska's
entire character is based around Hubris. She puts herself and her own interests ahead of others constantly, and since she's so powerful no one can really hold her accountable anymore. She hurts the people around her, but since she never experiences any consequences she has no motivation to change. This just builds the narrative consequence, the shoe that has to drop becoming heavier and heavier, until it catches up with her. Terezi is forced to kill her closest friend, because if she lived, it would be at the expense of everyone else.
HUBRIS. Then, as a ghost, Vriska is losing her MIND because she's no longer Relevant, she's no longer Important. She has no more or less power than anyone else because nothing really matters in death. She's immediately enamored with Meenah because she has all the self assuredness and "too cool for anyone else" attitude that Vriska is comfortable having, and when Meenah ditches her, Vriska has to contend with how it feels when someone treats you as expendable, the way she used to treat others. It forces her to like, grow as a person, and is rewarded for this growth by reuniting with Terezi, her closest friend, as a better person!
IT'S A WHOLE ASS ARC
So going back and removing her death, removing the One Consequence She Ever Experienced, completely removes her character! She stays exactly the same! She never improves or changes, she's just, Also Here. It bizarrely condones everything she's done up until that point because no one and Nothing holds her accountable. She Put An Autistic Kid In A Wheelchair And Then Abused Him Until She Got Bored And Murdered Him Like Does Any Character Wanna Talk About That No She's Just Cool Now. All of her actions go unremarked on or are textually Improved By Her Involvement which is just such a Bizarre reading experience.
And then the thought that Terezi uses John's Canon Breaking Powers Which Can
Get Around The Inherent Cruelty Of The One True Timeline And
Save Anyone Without Consequence and Only Saves Vriska definitely gives pause on second go around.
Like, one, completely destroys her arc and makes her a static character from that point onward, but Two, why Just Her? Like, the meteor was a horrible tragic culmination of these adolescent teens with God Powers but no ability to resolve inter and intrapersonal conflict, the Point is that it's sad and unfair, the Point is that you can't save everybody, because this is the only timeline that works, this is how it has to be Even If it hurts. But then John gets powers that let him circumvent that so, you sort of could? If you wanted to? Which would be a bit of a pull but so's saving Vriska? And also in return you get the opportunity to let their arcs conclude! You get these kids some Therapy. Even the "Irredeemable" characters, you can give them the time and resources to just become better, more functional, self-actualized people. You can go into the final battle with a full roster! It'd even have a sort of, Best Ending Visual Novel feel, which fits in fine with the heavily videos game refrential material. Sure, it's a little broken or self indulgent, but John's canon powers sort of are by their nature. It might also give Terezi a sort of characterful moment, revealing that she's never stopped thinking about what happened on the meteor, never stopped trying to figure out what she could have done to have fixed everything, saved everyone. And then on her Deathbed she's suddenly given the opportunity to do so? To make a better future she might not be able to experience but she know would be out there? Good Stuff.
Like, I like Vriska as a character, this isn't a Is She Good And Cool Or Bad And Bad, like, she's a fictional character, she doesn't Have Morals somebody wrote her. But cutting out the part where she actually Faces A Consequence and has to confront herself just, cuts out her whole character. She becomes a cardboard cutout, shallow and unreactive.